ENGG 0133: Writing About Literature
Contemporary North American Fiction

University of Denver, Spring 2001
sections 18 (3-4:30 MW) and 101 (5-6:30 MW)

Welcome!  Writing About Literature is the third course in the First-Year English sequence. The course provides an introduction to working with literature and an opportunity for you to continue your critical reading and writing activities. Required Texts: The Scribner Anthology of Contemporary Short Fiction: Fifty North American Stories Since 1970 (Lex Williford and Michael Martone ) and Breaking Ground: Guide to First-Year English (Margaret Whitt, Janet Black, and Bryan Walpert, 12th ed).  For information on course policies, click here

SCHEDULE

Do a response paper for each reading assignment. Keep them throughout the quarter; they will eventually become part of your portfolio.

You will draw names to determine your two presentation dates. When you are presenting on an author and a story, you are responsible for beginning our discussion—your author introduction should give us a good sense of who the author is and what he/she is "about." What you choose to write about in your response paper will focus our attention on some aspect of the story worthy of discussion, and we will go from there. Please bring enough copies for everyone in the class of the following:

Handout with introductory information (e.g., life and times, texts published, notable writing characteristics, etc.). Do research online &/or at the library (see especially Contemporary Authors). List sources at the end of your handout (in MLA format). You may check with others presenting on the same day and divide the material up to create one author introduction together, or you may each do your own handout. (Note: if you do an introduction with another person, you will both receive the same grade for that portion of the assignment). 
        AND
      Response paper : thoughtful discussion of one idea (guidelines below). Each presenter writes his/her own response paper.
 
DATE TOPICS/ASSIGNMENTS
M 3/26 Course Overview, Introductions
W 3/28 Margaret Atwood, "Death by Landscape"
M 4/2 Russell Banks, "Sarah Cole: A Type of Love Story"
W 4/4 John Barth, "Click"
M 4/9 Charles Baxter, "Gryphon"
W 4/11 Amy Bloom, "Silver Water"
Turn in response papers 1-5 in a folder.
M 4/16 Kate Braverman, "Tall Tales from the Mekong Delta"
W 4/18 Raymond Carver, "Errand"
M 4/23 Sandra Cisneros, "Woman Hollering Creek"
W 4/25 Tony Earley, "The Prophet from Jupiter"
M 4/30 Louise Erdrich, "Saint Marie"
W 5/2 David Gates, "The Mail Lady"
Turn in response papers 6-11 in a folder.
M 5/7 Reginald McKnight, "The Kind of Light That Shines on Texas"
Portfolio Workshop: bring three copies of your critical essay draft or your revised response paper essay (you choose).  Please read the workshop guidelines below.
W 5/9 Lorrie Moore, "You’re Ugly, Too"
Group Performance Work
M 5/14 Joyce Carol Oates, "Ghost Girls" 
Critical Essay Workshop: bring three copies of your draft in progress.
W 5/16 Tim O’Brien, "The Things They Carried"
Group Performance Work
M 5/21 Susan Sontag, "The Way We Live Now"
Portfolio Workshop: bring three copies of your revised critical essay, your revised response paper essay, or your reflective introduction to the portfolio (you choose).
W 5/23 Amy Tan, "Two Kinds"
Portfolios Due
Group Performance Work
M 5/28 Memorial Day holiday (University closed)
W 5/30 Group Performances 
M 6/4 Group Performances


COURSE POLICIES

Attendance: You are a vital member of our community, and regular attendance is essential. You are allowed two absences with no penalty; additional absences and chronic late arrivals will affect your final grade adversely (-20 points each instance after first two). If you have an emergency medical absence, please obtain documentation. Any student eligible for accommodation of special learning needs should speak with me during the first week of class. The best way to contact me outside of class is to send an email; I will respond as soon as I receive your message. 

Assignments: Please bring your textbook to class every day. If you have a question about any assignment, ask me—I'm happy to help. Assignments are due in class, at the beginning of class, on the due date. Late work will NOT be accepted unless you have received permission for an extension. Extensions must be requested before class begins on the due date (email requests are acceptable). Please do not email assignments. 

Academic Responsibilities: All work must be your own, generated this quarter. Turning in work that you have completed for another class is academic dishonesty. Plagiarism involves using all or part of a source (words or ideas) without correctly citing the source (this would include representing another person's work as your own or using a source without correct documentation). You are responsible for asking me if you are not sure how to document something. Academically dishonest or plagiarized work will receive an "F" and may be grounds for further disciplinary action (see Guide 39 for more information). 

Response Paper Guidelines: Response papers should be 1 page long and typed (double-spaced). A response paper should reflect your critical reading of a text: after reading the text (at least twice), take a position on something or explore one specific aspect of the text in detail (you can assume that your readers have also read the text, so you do not need to provide a summary of the plot). The following list may help you focus on a direction for discussion:

  • choose a section that is important to your interpretation of the text and explain why it’s significant 
  • trace a pattern that you notice and examine/speculate about its function 
  • explore the structure of the text: is it unusual or surprising? what is the result? 
  • discuss a specific point of comparison to another text we’ve read and draw a conclusion 
  • discuss the implications of the text’s main "issue"
You can also use the "Reading Literature"/"Fiction Terms" handout as a starting point. In all cases, you should make specific references to the textual evidence for your idea (quote where necessary). In every case, I'm looking for thoughtful responses that demonstrate your active consideration of the course material. Please bring your response paper to class on the day that particular reading appears on the schedule. Keep all response papers during the quarter—you’ll need them for your final portfolio. You will present one of your response papers to the whole class on the days you introduce your authors.

Workshop Guidelines: We will be working as a community of writers in this course, and you will take part in several workshops. Workshops provide the important opportunity for you to give and to receive feedback within a group of writers familiar with your writing goals. In order to receive full credit for workshops, you must bring the requested amount of copies of your draft in progress and give written feedback to all of your group members: you will receive 40 points if you have 3 copies of your draft and you give feedback to others, 30 points if you have 1-2 copies of your draft and you give feedback to others, and 20 points if you only give feedback. If you are not here for workshops, you cannot make up the points. 

Critical Essay Guidelines: Workshop drafts and final versions of your essay should be word processed in a 12-point standard font (e.g., Times New Roman, Garamond, Arial, etc.); see Guide for manuscript format guidelines, standards for grades, and a revision checklist (41-46). Aim for the length requirement; half a page over or under is acceptable. Please proofread carefully. I am looking for a clear original thesis supported by specific and relevant evidence discussed in a well-developed and well-organized essay. You should integrate some paraphrases and/or short quotations where appropriate—documented, of course, with parenthetical citations and a works cited list in MLA format (see Guide 179-183). Keep all materials used throughout the quarter (drafts, article, and workshop comments), as you’ll need them for the portfolio. 

Final Grade Framework: You determine your grade from this day forward, so do ask me if you have any questions about the assignments or anything else. To earn the most possible points, come to class prepared and on time, do your own work to the best of your ability, turn in the work on the due date, and participate in class—your grade will reflect your efforts! Your final grade will be based on the following framework (adjusted for absences/lates if necessary).
 
Workshops

Author/Story Presentations

Response Papers

Group Performance 

Portfolio

120 pts.

200 pts.

180 pts.

200 pts.

300 pts.

1000 pts.

930-1000 = A 

830-879 = B

730-779 = C

630-679 = D

900-929 = A-

800-829 = B-

700-729 = C-

600-629 = D-

880-899 = B+

780-799 = C+

680-699 = D+

0-599 = F

GOOD THINGS TO KNOW

Writing Assistance: The Write Place, staffed by English instructors, is a valuable resource for you. The Write Place operates on a walk-in basis, and the instructors can help you develop or revise your writing assignment (note: the Write Place is not a proofreading service). If you receive an "R" (revision required) on an essay, we will discuss your paper; then you will need to go to the Write Place with your revised version before re-submitting the essay (have the tutor sign and date your paper when you go in). The center is located in Penrose Library and in the residence halls (click here or see Guide 35 for more information). 

Extra Credit Opportunities: A visit to the Write Place (other than for an "R") is worth five extra credit points (up to three times). To receive extra credit, (1) ask the the writing center tutor to sign his/her name legibly on the draft and to note the date and duration of your visit then (2) write "Write Place Copy" across the top of the draft. In addition, you may attend two literary readings during the quarter and write a one-page (typed) review for five points each—readings are offered at various places around town: at DU (see the English department web calendar for more information), at Tattered Cover, and at many other places (Westword provides a list each week). Include your Write Place draft(s) and review(s) in your portfolio to receive extra credit (see portfolio handout). 

Some Important Dates: Memorial Day holiday (university closed): May 28, 2001; last day to drop without signature: May 7, 2001; last day to drop with signature: May 21, 2001. 

return to class list