ENG 2500  The Art & Craft of Writing

“There is no perfect time to write. There's only now.” --Barbara Kingsolver





Metro State, Spring 2004, section 5
Dr. Cynthia Kuhn

ENG 2500 provides a conceptual framework for analyzing writing situations, offers models and opportunity for practice, and welcomes you into a community of writers. Following the premise that ideas can be developed in a number of textual forms, we will discuss and practice strategies for creating thoughtful work in a variety of genres. We will be immersed in the craft of writing throughout the semester—prewriting, drafting, workshopping, revising, and editing—working toward a polished multigenre research portfolio. As a result of this course, your ability to analyze a rhetorical situation and to express your ideas creatively and effectively in writing for that context should improve.  Course objectives include the following items.

  • To analyze a writing situation in terms of its context, including rhetorical concepts of purpose, audience, and language; technical or artistic concepts such as viewpoint, style, and technique; practical concepts such as ethics, function, readability, and accessibility; and broad social or political concepts which may include considerations of race, class, gender, or community.
  • To write effectively in creative and expository forms using that knowledge of context.
  • To practice self- or small-group editing, with the purpose of directing revisions.
  • To appreciate that good writing transcends classification as either "creative" or "expository."
  • To explore the universe of textuality, understanding that texts arise from specific contexts and that the same idea can manifest itself in a variety of textual forms.
  • To gain power and pleasure from working with a variety of texts (narrative, dramatic, poetic, meditative, informative, persuasive, etc.)
  • To assemble a polished final portfolio.
Required Texts: Writing with Passion: Life Stories, Multiple Genres (Romano, Boynton/Cook, 1995) and The Collected Works of Billy the Kid by Michael Ondaatje (any edition).

Recommended Texts: a good dictionary, thesaurus, and style manual.

Assignments:
Prospectus  =    40
Draft Folder Submissions  =  60
Participation/Short Assignments = 200
Presentation    =   100
Workshops =   100
Multigenre Research Portfolio =  500
          Total possible points = 1000 
900-1000 = A
  800-899 = B
  700-799 = C 
  600-699 = D 
      0-599 = F
(adjusted per absence policy)

Course Policies

The following policies are in place to protect our community, to ensure that your experience is as positive as possible, and to facilitate the growth of a challenging and rewarding work environment.

Attendance: You are a vital member of our community, and regular attendance is essential and expected.  There are no “excused” absences.  The policy is as follows: you are allowed one week of absences with no penalty—additional absences, late arrivals, or early departures will affect your final grade adversely (-25 points each instance at my discretion).  Three weeks of absences will result in failure of the course.  Metro has a policy of accommodating students who need to miss class for a religious holiday observance, provided such students notify their instructors in writing within the first two weeks of the semester.  Any student eligible for reasonable accommodation of special learning needs should speak with me during the first week of class. 

Assignments: Assignments are due in class, at the beginning of class, on the due date to receive full credit.  I will accept your work—with the exception of the final portfolio—one class period late (this will result in a reduction of ten points) but not after that.  Please do not email or fax assignments.  I will expect you to have completed the assigned readings and to be prepared to talk about them in class—I’m looking for active, thoughtful, constructive participation.  Please bring your textbook to class.

Academic Responsibilities: All work must be your own, generated this semester for this course.  Plagiarism involves using all or part of a source (words or ideas) without correctly citing the source (this would include representing another person's work as your own or using a source in any way without correct documentation). You are responsible for asking me if you are not sure how to document something.  Academically dishonest or plagiarized work will receive an "F" and may be grounds for further disciplinary action (see the Metro State Student Handbook for more information).

Important Dates: The No-Credit (NC) deadlines are February 16 (no faculty signature required) and March 26 (faculty signature required).  Final exam week is May 10-15.  Grades will be available on the web on May 21.

Assignment Guidelines

Workshops: We will be working as a community of readers and writers in this course, and you will take part in numerous workshops.  Workshops provide the important opportunity for you to give and to receive feedback within a group of writers familiar with your writing goals.  In order to receive full credit for workshops, you must bring two copies of your typed (or word processed) draft in progress and give feedback to all of your group members.  If you are not here for workshops, you cannot make up the points. 

Draft Submissions: Choose one piece and turn in your current draft along with all previous drafts (at least two, so this MUST be your third—at least—revision) of this particular piece, including workshop comments.  In addition, please include a typed paragraph (or two) that describe(s) your goals for this piece and give(s) a brief history of your process to date (the history might include your reflections on development so far, responses to your workshop experience, etc.).  Drafts in progress will be evaluated on quality, recognition of process, adherence to deadlines, and good-faith participation (see WP 141-146).  I will award grades for them according to the following scale (transferring the letter grades to points).
 

Suitable draft in on time  A
Almost suitable draft in on time A-/B
Late, but suitable  B
Late, but not quite suitable C-D
Poorly developed  C-D
No draft   F

Participation:  We will read, write, and discuss a wide variety of materials this semester.  Your participation score will be based on the following activities: coming to class prepared (having completed the readings/assignments), participating constructively in discussion and other activities, and cooperating well with the other people in our class community. 

Multigenre Research Portfolio and Prospectus: I will give you separate handouts describing these projects.

Presentation: In a brief presentation (5-7 minutes), introduce a selection of your finished collection.  Begin with a short discussion of your writing goals and processes. 
 


Schedule

WP = Writing with Passion: Life Stories, Multiple Genres
 
F 1/23
introductions/go over syllabus
F 1/30
Ondaatje, The Collected Works of Billy the Kid
Bring a typed response paper (one page long, double spaced, in MLA format): What did you expect to read, based on the title?Did you find this reading easy, difficult, or somewhere in between—and why?Which selections did you feel were most interesting—and why/how do you think those seem to stand out?Can you make any connections to other texts?Overall, what is your readerly response to this text—how would you describe it to someone who has not read it?
F 2/6
WP, “Truth Through Narrative” (ch.1) and “The Multigenre Research Paper: Melding Fact, Interpretation, and Imagination” (ch. 7).Also look at WP 141-147.
F 2/13
prospectus due
WP, “Faith and Fearlessness” (ch. 3) 
bring example of interesting journalistic piece
Note: “bring example of” means bring a one-page example of the selected genre to turn in (it will not be returned—we’re compiling a class “textbook”) so make two copies if you want one to keep, please).
F 2/20
WP, “Further Ways of Knowing: Dialog, Poetry, and Song” (ch. 4)
workshop: journalistic draft due 
F 2/27
WP, “Breaking the Rules in Style” (ch. 5)
bring example of interesting dialogue
F 3/5
workshop: dialogue draft due
bring example of interesting narrative
F 3/12
draft folder due: writer’s choice (must be previously unsubmitted piece)
optional: annotated bibliography draft to workshop
SPRING BREAK J
F 3/26
workshop: narrative draft due
bring example of interesting poetry
F 4/2
draft folder due: writer’s choice (must be previously unsubmitted piece) workshop: poetry drafts (two) due: at least one non-rhyming
F 4/9
WP, “Evolving Voice through the Alternative Style” (ch. 6)
workshop: transformation draft due
bring example of interesting persuasion
F 4/16
draft folder due: writer’s choice (must be previously unsubmitted piece)
workshop: persuasive draft due
F 4/23
workshop: mystory or critical introduction draft
F 4/30
workshop: ALL portfolio drafts due 
F 5/7
Portfolios due / Presentations begin
TBA
Presentations / Portfolios Returned

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