ENG 1010 Freshman Composition: The Essay




Metro State, Fall 2002, section 47
Dr. Cynthia Kuhn

Course Description: We will discuss and practice various strategies for writing and revising thoughtful, effective college essays. At the end of the course, students should be able to demonstrate the following abilities: use writing as part of a process leading to an understanding of feelings, beliefs and knowledge; recognize ways in which writing enhances learning; focus the intention of the essay on a central idea or purpose; specify the central idea through elaborative detail; recognize options made available by the relationships among writer, purpose, and audience; adjust writing style to the needs of a specific audience; exercise useful control over writing mechanics; produce prose characterized by sound sentence structure, clear diction, and recognizable, logical organization.  For course policies, click here.

Required Texts: Reading Critically, Writing Well (Axelrod & Cooper, 6th ed., Bedford/St. Martin’s, 2002) and A Writer's Reference (Hacker, 4th ed., Bedford/St. Martin’s, 2002)

SCHEDULE

You should come to class having read the assigned material carefully: read the text once quickly to get a sense of the whole, then read again slowly, noting the text’s main issue(s), structure, and patterns worthy of exploration. You should be prepared to participate constructively in discussions. In addition, we will do in-class writing regularly (save these, as you will need to include them in your final portfolio) that will count toward your participation grade. Overall, I'm looking for thoughtful responses that demonstrate your active consideration of the course material.
 
 DATE ASSIGNMENTS
Page numbers below refer to the Axelrod & Cooper text.
F 8/23 introductions
F 8/30 read: "Autobiography" (12-23); Lorde, "That Summer…"; and Bragg, "100 Miles…"
F 9/6 Workshop 1 (bring two copies of your draft)

read: "Guide…" (58-69); Wu, "A Different Kind…"; and Benioff, "Rick"

F 9/13 Narrative Essay due (in a folder with all drafts)

read: "Observation" (70-79), including "Soup" and Edge, "I'm Not Leaving Until I Eat This Thing"

F 9/20 read: "Guide…" (120-130); Coyne, "The Long Good-Bye…"; and Cable, "The Last Stop" 
F 9/27 Workshop 2(bring two copies of your draft)

read: Papenfuss, "Behind the Sugar…"

F 10/4 Observation Essay due (in a folder with all drafts)

read: "Explaining Concepts" (182-193) and Farley, "Rave New World"

F 10/11 read: "Guide…" (240-249); Lemonick, "Will Tiny Robots…"; and Tannen, "Marked Women"
F 10/18 Workshop 3 (bring two copies of your draft)

read: Gutierrez, "Music Therapy"

F 10/25 Definition Essay due (in a folder with all drafts) 

read: "Evaluation" (250-262), including Etzioni, "Working at McDonald’s"

F 11/1 read: "Guide…" (301-312); Kinsley, "Email Culture"; and Corliss, "Run, Chicken Run!"
F 11/8 Workshop 4 (bring two copies of your draft)

read: Hyder, "It Knows…"

F 11/15 Evaluation Essay due (in a folder with all drafts)

Also bring drafts to be revised for portfolio during in-class work today.

F 11/22 Portfolio Workshop (bring two copies of your revised drafts)
F 11/29 Thanksgiving Break
F 12/6 Portfolios Due / Presentations
TBA (Final Exam Week Meeting) Presentations

COURSE POLICIES

The following policies are in place to protect our community, to ensure that your experience is as positive as possible, and to facilitate the growth of a challenging and rewarding work environment.

Attendance: You are a vital member of our community, and regular attendance is essential and expected. You are allowed 1 absence with no penalty; additional absences, late arrivals, or early departures will affect your final grade adversely (-25 points each instance at my discretion). More than 3 weeks of absences will be considered grounds for failure of the course. If you have an emergency medical absence, please obtain documentation. Metro has a policy of accommodating students who need to miss class because of their religious beliefs, provided such students notify their instructors of such needs within the first 2 weeks of the semester, so please talk with me if this applies to you. Any student eligible for reasonable accommodation of special learning needs should speak with me during the first week of class.

Assignments: Assignments are due in class, at the beginning of class, on the due date to receive full credit. If you will not be in class for some reason, you could ask someone to turn in your work for you. I will accept your work 1 class period late (this will result in a reduction of 10 points) but not after that. Please do not email or fax assignments.I will expect you to have completed the assigned readings and to be prepared to talk about them in class.

Academic Responsibilities: All work must be your own, generated this semester. Plagiarism involves using all or part of a source (words or ideas) without correctly citing the source (this would include representing another person's work as your own or using a source in any way without correct documentation). You are responsible for asking me if you are not sure how to document something. Academically dishonest or plagiarized work will receive an "F" and may be grounds for further disciplinary action (see the Student Handbook for more information). See A Writer's Reference for an explanation of how to integrate quotations, cite, and set up source lists.

Final Grade Framework: You determine your grade from this day forward, so do ask me if you have any questions about the assignments or anything else. To earn the most possible points, come to class prepared and on time, do your own work to the best of your ability, turn in the work on the due date, and participate in class. Your final grade will be based on the following framework (adjusted for absences/lates if necessary):
 
Essays (4) 400
Portfolio 300
Participation 100
Presentation 100
Workshops 100
TOTAL POSSIBLE POINTS: 1000
900-1000 = A
800-899 = B
700-799 = C 
600-699 = D 
0-599 = F

Important Dates: The No-Credit (NC) deadlines are September 21 (no faculty signature required) and October 25 (faculty signature required). Final exams end December 14.

ASSIGNMENT GUIDELINES

Workshops: We will be working as a community of readers and writers in this course, and you will take part in several workshops. Workshops provide the important opportunity for you to give and to receive feedback within a group of writers familiar with your writing goals. In order to receive full credit for workshops, you must bring the requested amount of copies of your draft in progress and give written feedback to all of your group members: you will receive 25 points if you have 2 copies of your draft and you give feedback to others, 20 points if you have 1 copy of your draft and you give feedback to others, and 15 points if you have no draft but give feedback. If you are not here for workshops, you cannot make up the points.

Essays: We'll talk about the specifics of each essay assignment in class; however, with each essay, your goal is to take a meaningful stand (defined in a clear thesis) and support it with lively, well-developed and well-organized discussion using relevant examples. Essays should be approximately 4 pages long. Do not incorporate block quotations—in other words, quotations should be less than 4 lines long.  Workshop drafts and final versions of essays should be word processed in a 12-point standard font (Times New Roman, Garamond, Arial, etc.); follow the manuscript format described in A Writer's Reference. If you use a source, you must include proper citations and a works cited list; please use MLA parenthetical documentation format for citing sources (see A Writer's Reference). Your name and page number should appear on every page in the upper right-hand corner--you do not need a title page. Aim for the length requirement; half a page over or under is acceptable. Please proofread carefully. When you turn in a final version of an essay, please include all of the drafts leading up to your final version in your folder, and keep all materials—you’ll need to include them in your portfolio.

Portfolio: Please divide the different sections below with a sheet of paper (titled/designed or not), and have all the materials spiral- or coil-bound. Your portfolio will include the following.

  • Cover Page: Include your portfolio title, your name, the course number and title, my name, and the date. Design is completely up to you. Graphics are welcome.
  • Introduction: In 1-2 typed pages, please reflect upon your progress over the semester. What are the most important things you have learned as a result of your work? How have you changed as a writer? Why are these revised essays examples of your best work (be specific)?
  • Revised Essays: Include your 2 revised essays, with all drafts following the final versions in chronological order.
  • In-Class Writing: Include a copy of all of your in-class writing in chronological order.
  • Non-Revised Essays: Include your non-revised essays at the end so that your entire semester of work is together in the portfolio.
Presentation: Read one of your revised essays to the class.
 
 

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