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ENG 2100 Introduction to
Literary Studies
Metro State, Fall 2002, section 3
Dr. Cynthia Kuhn
Course Description: ENG 2100 provides an
introduction to academic literary study—its concepts, traditions, critical
approaches, and controversies. Students will read and write about literature
written by women and men from diverse backgrounds. In addition, we will
discuss critical terms and concepts useful for working with literary texts.
By the end of the semester, students should understand general features
of major types of literature and should be able to write an effective interpretive
paper.
Required Texts:
The Bedford Introduction to Literature
(Meyer, 6th ed., St. Martin’s, 2002)
A Handbook to Literature (Holman &
Harmon, 8th ed., Prentice Hall, 2000)
Assignments:
SCHEDULE
To prepare for class, please read the assigned texts
carefully, more than once. The first time, you might skim quickly to get
a sense of the whole, then read the material again, more slowly, to identify
the text’s main issues, its structure, and any significant patterns worthy
of exploration. You might also think about our class discussions and the
ways in which you could draw connections to literary concepts or to other
texts we’ve read. In addition, I highly recommend that you use the Holman
and Harmon handbook to further your understanding of terms/concepts introduced
in the Meyer anthology.
| Date |
Assignments
Please complete assignments for the days
on which they are listed. Page numbers below refer to the Bedford text.
RP = response paper.
|
| T 8/20 |
in class: "Reading Fiction"
(11-15), including Chopin, "The Story of an Hour" |
| R 8/22 |
"Writing About Fiction"
(43-46), "Plot" (64-71), and Faulkner, "A Rose for Emily"
RP 1 due |
| T 8/27 |
"Character" (99-104) and
Melville, "Bartleby the Scrivener" |
| R 8/29 |
"Setting" (150-152) and
Weldon, "IND AFF, Or Out of Love in Sarajevo"
RP 2 due |
| T 9/3 |
"Point of View" (173-178)
and Jen, "Who’s Irish?"
RP 3 due |
| R 9/5 |
"Developing a Topic" (321-324)
and Danticat, "New York Day Woman" |
| T 9/10 |
"Symbolism" (220-223);
introduction, Nathaniel Hawthorne (327-331); Hawthorne, "The Minister’s
Black Veil"; and "Perspectives on Hawthorne" (371-375); |
| R 9/12 |
"Theme" (247-250); Hawthorne,
"The Birthmark"; and "Two Complementary Critical Readings" (375-379)
RP 4 due |
| T 9/17 |
"Style, Tone, and Irony"
(282-286); Carver, "Popular Mechanics"; and Minot, "Lust"
RP 5 due |
| R 9/19 |
"Metafiction" (536-537);
Atwood, "There Was Once"; and Bowering, "A Short Story"
Workshop 1: bring two copies of your draft. |
| |
NOTE: A number of individual
poems are included in the readings assigned below. I have not listed them
all by name, but please read them carefully. |
| T 9/24 |
"Reading Poetry" (671-694)
and "Writing About Poetry" (708-710)
Essay 1 due in a folder with all drafts. (Click
here
for grading standards.) |
| R 9/26 |
"Word Choice, Word Order,
and Tone" (715-735) |
| T 10/1 |
"Images" (752-759)
and "Figures of Speech" (777-786)
RP 6 due |
| R 10/3 |
"Symbol, Allegory,
and Irony" (801-810) |
| T 10/8 |
"Sounds" (832-843) and
"Patterns of Rhythm" (863-869)
RP 7 due |
| R 10/10 |
Meet at library for research
introduction session
"Poetic Forms" (885-912)
recommended reading before you draft your essay:
"Combining the Elements" (936-946) |
| T 10/15 |
"Open Form" (913-935)
Workshop 2: bring two copies of your draft. |
| R 10/17 |
"Reading Drama" and "Elements
of Drama" (1235-1254), including Glaspell, Trifles
Essay 2 due in a folder with all drafts. (Click
here
for grading standards.) |
| T 10/22 |
"Writing About Drama"
(1275-1281), "Modern Drama" (1563-1567), and Ibsen, A Doll House,
Act I
RP 8 due |
| R 10/24 |
Ibsen, A Doll House,
Acts II and III |
| T 10/29 |
"Drama in Popular Forms"
(1261-1274), including David, Seinfeld
RP 9 due |
| R 10/31 |
"Beyond Realism" (1643-1647)
and Ives, Sure Thing |
| T 11/5 |
Mamet, Oleanna
Acts I-II
RP 10 due |
| R 11/7 |
Mamet, Oleanna
Act III
Workshop 3: bring two copies of your draft |
| T 11/12 |
Essay 3 due in a folder
with all drafts. (Click here
for grading standards.)
watch Oleanna |
| R 11/14 |
finish and discuss Oleanna |
| T 11/19 |
Portfolio Workshop: bring
two copies of your critical essay draft and portfolio introduction |
| R 11/21 |
Presentations / Portfolios
due |
| T 11/26 |
Presentations |
| R 11/28 |
Thanksgiving |
| T 12/3 |
Presentations |
| R 12/5 |
Presentations |
| TBA |
Final Exam |
ASSIGNMENT GUIDELINES
Workshops: We will
be working as a community of readers and writers in this course, and you
will take part in several workshops. Workshops provide the important opportunity
for you to give and to receive feedback within a group of writers familiar
with your writing goals. In order to receive full credit for workshops,
you must bring the requested amount of copies of your draft in progress
and give written feedback to all of your group members: you will receive
25 points if you have two copies of your draft and you give feedback to
others, 20 points if you have one copy of your draft and you give feedback
to others, and 15 points if you have no draft but give feedback. If you
are not here for workshops, you cannot make up the points.
Response Papers: Response
papers should be one page long and typed (double-spaced). A response paper
should reflect your critical reading of a text: after reading the text
at least twice, take a position on something by exploring one specific
topic in detail. This is not a summary of the plot or a discussion of whether
or not you liked the text—it is a short position paper, so take a clear
stand in your thesis (make it your first sentence) and support it throughout
your paper. The following list may help you focus on a direction for discussion:
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Choose a section that is important to your interpretation
of the text and explain why it is significant.
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Trace a pattern that you notice and speculate about
its function.
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Explore the structure or point of view of the text
if it is unusual or surprising--and explain the result.
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Discuss a specific point of comparison to another
text we’ve read and draw a conclusion.
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Discuss the implications of the text’s main "issue."
In all cases, you should make specific references
to the textual evidence for your idea (quote and cite where
necessary in the paper). I'm looking for thoughtful responses that demonstrate
your active consideration of the course material, so you should clearly
connect your response to the ideas that we’ve been discussing in class.
Please bring your response paper to class on the day that particular reading
appears on the schedule. Keep all response papers during the semester—you’ll
need them for your final portfolio.
Essays: With each
essay, your goal is to take a meaningful stand (defined in a clear thesis)
and support it with lively, well-developed and well-organized discussion
using relevant textual examples. Your topic may be an extension of ideas
examined in your response papers, a response to an issue discussed in class,
or a new idea altogether. However, you must focus your discussion on a
text we’ve read for class. Essays should be approximately four pages long.
You should integrate some paraphrases and/or short quotations where appropriate—documented,
of course, with parenthetical citations and a works cited list in MLA
format. Do not incorporate block quotations—in other words, quotations
should be less than four lines long. Workshop drafts and final versions
of your essay should be word processed in a 12-point standard font (e.g.,
Times New Roman, Garamond, Arial, etc.). Your name and page number should
appear on every page in the upper right-hand corner (see upper right-hand
corner of this syllabus), and you do not need a title page. Aim for the
length requirement; half a page over or under is acceptable. Please proofread
carefully. When you turn in a final version of an essay, please include
all of the drafts leading up to your final version in your folder, and
keep all materials—you may need to include them in your portfolio.
Click here
for grading standards.
Portfolio: Please
divide the different sections below with a sheet of paper (titled/designed
or not), and have all the materials spiral- or coil-bound.
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Cover Page: Include your portfolio title,
your name, the course number and title, my name, and the date. Design is
completely up to you. Graphics are welcome.
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Introduction (40 points): In a page or two,
please reflect upon your experiences and progress working with literature
this semester. What are the most important things you have learned or mastered
as a reader, writer, and thinker? What issues have you found the most compelling—and
why? What texts or activities might you recommend to others—and why?
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Critical Essay with Articles (150 points):
Choose a topic generated by one of your essays, by class discussion, or
by a response paper and substantially revise/develop it into a critical
essay. Find and use at least three critical articles on your selected
text/topic. You may use articles from scholarly journals in print or articles
downloaded from academic databases available through the Auraria library.
While you may also use credible website material, websites do not count
as critical articles. Your primary goals should be to take a position,
develop your idea, and support it, taking into consideration other scholarly
views on your topic. Use evidence where appropriate and be scrupulous about
paraphrasing, quoting, and citing sources. This essay should be approximately
six
pages long, with correct format, documentation, and works cited list. Please
include draft/workshop versions of your essay and the articles you
used after the final version of essay in this section.
-
Response Papers (10 points): Include a copy
of all of your response papers in chronological order. You do not need
to revise them or print out clean copies (unless you want to do so).
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Other Essays: Include the final versions (clean
copies or the graded copies) of your other essays so that your entire semester
of work is together.
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Extra Credit (optional): You may include two
drawings, poems, or short stories inspired by the literature we’ve read
for ten extra points each.
Presentation: In
a five-minute presentation, explain the topic of your critical essay and
present the results of your research to the class. Use an outline or notecards
to organize your content, and create a visual element (website or Powerpoint
presentation to project from your laptop, chart to display, or very detailed
handout). All presentations should include the following: engaging introduction,
identification of your topic and clear statement of your thesis, description
of what interested you about the topic (could be part of introduction),
discussion of your most persuasive evidence, and strong conclusion.
Please see the official (paper) syllabus for course
policies, academic responsibilities, important dates, etc.
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